Before I go on-point, I’ve said this many times before — the RRHOF should be changed to the “Music Hall Of Fame”, as it’s ridiculous to let in artists who aren’t Rock & leave out those who are the epitome of great Rock when your name is the Rock & Roll Hame Of Fame. Tupac Shakur has no business being in a Hall Of Fame for Rock & Roll, but there are a ton of other artists in there who contradict that term also.
But today’s complaint is about the real tragedy of the RRHOF — the incredible snubs/omissions they have made purely for personal or socio-political reasons, or because they don’t really know diddily-squat about the acts they induct or possibly music in general.
I’m not talking about the excluded ACTS — my complaint today is the excluded BANDMEMBERS they arbitrarily excluded when they inducted certain bands. I have a long list of those omissions, and the RRHOF needs to come clean and go back and induct those omitted persons and give them the same fanfare the inducted personnel got when they were inducted.
In 2016, they inducted ELO — Electric Light Orchestra, known for its “light orchestra” — It’s in the friggin’ name, fer chrissakes! Yet the RRHOF omitted the entire “Light Orchestra” section of the band: Mik Kaminski, Melvyn Gale, Hugh McDowell, AND its conductor Louis Clark from the induction, not to mention other string players who were on the hits at various times. They inducted Roy Wood simply because he founded the band & its idea & played on the 1st album, but he didn’t do anything much with it, and certainly didn’t play on the successful albums/hits they made. And omitting bassist Kelly Groucutt was a cold slap in the face at the very least. I believe this happened mainly because Kelly, Mik & Louis were members of ELO 2, which Jeff hasn’t forgiven them for even though Kelly died in 2009, and because they weren’t origianl members, but that alone has not been a concrete rule if you look at the history of inductions. Timothy B. Schmit, Joe Walsh & Don Felder were not original members of Easgles, but were inducted. Plenty of other examples as well.
I don’t know how the decisions are made as to which personnel gets to be inducted, specifically if the band has any input in this or not, but it certainly seems that Jeff Lynne had input, because he had a long spat with Bev, Mik, Louis & Kelly for doing ELO II/The Orchestra, which they created & were a part of. When Jeff called it quits in 1986, other members of the band didn’t want to quit. Bev, Mik, Kelly & Louis wanted to continue playing & needed to make a living, and yet Jeff had all the money he needed from writing & publishing royalties & a career writing & publishing & producing other acts, and he didn’t want them to use the name, which severely limited their chances of making good money even though Bev Bevan owned half of the name. So they decided to rename the band “ELO II” so people would know this was most of ELO, but not all of it, and not Jeff. Jeff couldn’t do much since Bev owned half the name, but once Bev quit ELO II, Jeff bought out Bev’s interest in the name & the band was forced to change the name to “The Orchestra”, and their money & ticket sales went down tremendously.
The original ELO band would’ve been defunct in 1972 when Roy quit if Jeff didn’t keep it going, and Jeff wrote & sang all the hits we know today, so I get it that he’s the man, but the hits didn’t start coming on strong until Mik & Kelly & Louis came onboard for the 4th album, and Kelly came onboard shortly thereafter for the tour to support it as the original bassist quit at the beginning of that album’s recording. In fact, ELO had only 1 USA Top 40 hit prior to this lineup change, then had 19 more after it. Kelly played on every hit after that album, including Evil Woman, Strange Magic, Livin’ Thing, Do Ya, Telephone Line, Turn To Stone, Mr. Blue Sky, Sweet Talkin’ Woman, Shine A Little Love, Don’t Bring Me Down, Last Train To London, Confusion, Xanadu, All Over The World, Hold On Tight, and Calling America, along with a few other minor hits & on all the albums between 1975 & 1986, which was the most successful period ELO had.
Now let’s talk about Pearl Jam — the RRHOF allowed someone who’s a vital part of the band to be omitted. Dave Abbruzzese played on the 2nd & 3rd albums, “Vs” & “Vitalogy”, yet wasn’t included because of a disagreement he had with the band over 20 years earlier, and they also omitted drummer Jack Irons who played on the 4th & 5th albums, “No Code” & “Yield”. Instead, they inducted latecomer Matt Cameron who didn’t join until 1998 & didn’t play on a recording with them until 2000 when they had become relics & had literally nothing to do with the band’s hit recordings when they were relevant in the 90’s.
For anyone who thinks Matt Cameron should be included with Pearl Jam, note that the RRHOF typically ALWAYS excludes members who weren’t in the classic or first-popular lineup (note that I didn’t say “most-popular”). Case in point . . .
The band Chicago was super-popular in the 80’s as well as the 70’s & sold a ton of albums in each decade — in fact, they sold 17 million albums in the USA of their 70’s output & 17 million albums in the USA of their 80’s & later output, yet the 2 integral members of the group’s 80’s & beyond lineup, Jason Scheff & Bill Champlin, weren’t inducted with the group. Neither was their long-time 70’s percussionist Laudir DeOliveira who was with them from 1973 to 1981. This is a tremendous oversight & just shows you that they don’t use facts & figures — they use their short-sighted opinions & emotions to determine who gets in, and a hefty dose of socio/business politics as well.
It doesn’t end here, not by far . . .
Remember Bob Welch? He had hits in the late 70’s including “Ebony Eyes”, “Sentimental Lady”, “Hot Love, Cold World”, and “Precious Love”. He’s largely forgotten now in the annals of Pop history, and even killed himself in 2012 after suffering in poor health & soured finances, and the RRHOF had a large part in his legacy being forgotten . . .
Welch was initially a member of Fleetwood Mac for a period of time in the early 70’s after their Blues-based sound ran its course when Peter Green left, and before they became Pop superstars when Lindsey Buckingham & Stevie Nicks joined. He bridged the gap between these 2 phases and helped ease them from Blues to Pop. When guitarist Danny Kerwin quit the band, Bob was the only guitarist left.
He talked the band into leaving England & relocating in his hometown of L.A. to be closer to the USA recording industry. He wrote a number of good songs, including “Sentimental Lady”, which he wrote & first sang/recorded on a Fleetwood Mac album in 1972, and is a large part of why Christine McVie sang the backup again on his hit rerecording of it. Mick Fleetwood himself said in his own autobiography that if it weren’t for Bob Welch being the glue that kept the band together & getting them to L.A., the band would’ve simply disappeared & been a 60’s Blues-band relic that couldn’t make it in Pop and would be largely forgotten — like Welch today.
Keep in mind that it was in L.A. when, after Bob quit, Mick was touring studios and came across the Buckingham-Nicks album that inspired him to hire Lindsey, who agreed to join only if they also hired Stevie. Now you can see why Lindsey has been so upset with Stevie over the years, as she probably would’ve been nobody if not for him. There’s a milllion good-looking female singers who write songs — Stevie isn’t special in that regard, and is not a great singer. There are millions of good songs you’ve never heard simply because they weren’t promoted as well as hers. She’s not special other than she has an identifiable sound, but most singers do.
When Steve Miller was inducted, it wasn’t the Steve Miller Band, which is how he presented & marketed himself in concerts & on all his albums — it was just Steve himself who was inducted. The entire band was left out! I understand that he had a lot of different musicians who supported him in the studio & in concert, but there were 4 guys who were an integral part of the sound that spent a signifcant amount of time with him that were snubbed: Greg Douglass on guitar, Lonnie Turner on bass, Gary Mallaber on drums, and Bryan Allred on keyboards. Turner played bass on “The Joker”, “Fly Like An Eagle”, Rock’N Me” & “Take The Money & Run”; Mallaber played drums on the latter 3, and all 4 of them played on the Book Of Dreams album including the songs “Jet Airliner, Swingtown & Jungle Love — Douglass co-wrote Jungle Love including the famous opening riff. On the 1982 Abracadabra album, they all had multiple songwriting credits, with Mallaber co-writing 8 songs! They got nothing from the RRHOF.
The band members for Daryl Hall & John Oates also got the same treatment. This is another act that had a lot of sidemen & bandmembers, but there are a few who brought their A-game to the gig & contributed heavily to the hits. Charlie DeChant has been with them for 44 years including the hit making years from 1976 into the early 80s. G.E. Smith & Tom T-Bone Wolk (who joined the SNL band in the mid 80s during the band’s extended hiatus) played on all their Pop hits from 1979 onward, and T-Bone stayed with them until his death in 2010.
But wait — there’s more . . .
Bob Seger had a long-time band and was billed as Bob Seger & The Silver Bullet Band for 20 years during all his hitmaking years. Nobody in the band was inducted.
None of Prince’s backing bandmembers were inducted with him either. I get it that he played can play all the instruments & has at times, but he didn’t play all the instruments on all the hits or albums.
Steely Dan was an actual band for the first few albums, but none of those guys were inducted, not to mention the primary studio guys who made the albums what they were like Larry Carlton, Jeff Porcaro, Chuck Rainey or Michael McDonald.
Crosby Stills & Nash were inducted without Young, and when Neil Young was inducted as a solo artist, none of his band members were inducted with him even though they played with him for decades including during the hitmaking years.
The Allman Brothers were inducted without Chuck Leavell & Lamar Williams who were an integral part of the sound from 1972 to 1976.
None of Elton John’s bandmembers who were part of the 70s hits were inducted, specifically Nigel Olesson, Davey Johnstone or Dee Murray.
Same thing with Billy Joel bandmembers/sessionists Liberty DeVitto, Richie Cannata, Mark Rivera, Doug Stegmeyer, Russell Javors, David Brown & Steve Khan.
When the Beach Boys were inducted, they omitted Bruce Johnston who, with the exception of a 7-yr break, has been with the band since 1965 including the Pet Sounds album.
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