Popular music has been making a slow downhill regression for a century, maybe longer depending on the argument. We’re just now noticing it, as it tried to be something better for a while, then slowly collapsed under its the weight of its own supporters.
What used to be a contest for the best talent slowly became a race to find the acts that appealed the most to the fans. Music went from being a contest of talent & artistic expression to a popularity contest, as music quality was eschewed in favor of populism, which meant more money in sales. Bands who were great weren’t necessarily popular or sold the most, and they were cast aside in favor of corporate greed. Artistic value is nothing compared to the value of a buck. How else do you explain a Punk/Post-Grunge band releasing an album called “Dookie” & selling 20 million copies? Or ignorant thugs who have little to no musical or even singing skills selling millions of CD’s?
Popular music of the day in previous centuries consisted of the greatest musicians/composers of all time, such as the Classical musicians like Mozart, Beethoven, Liszt, etc. By the 1900’s, American popular music was led by musicians who played Ragtime, Jazz & such, but most of them could at least read music.
Popular music made a slight progression of sorts as the 1900’s moved onward. Jazz greats like Charlie Parker, Louis Armstrong, Miles Davis and their peers raised the bar on musicianship, and even the Pop artists of the 40’s such as Glenn Miller & the Dorsey brothers were talented musicians who could read music & play many different styles.
In the early to mid 50’s, the influences of the black Blues artists & black/white Pop vocal groups of the late 40’s inspired acts like the Moonglows, Chuck Berry, Little Richard, Elvis, and Bill Haley to create the genre of Rock-N-Roll. These acts, like most of the Blues acts, couldn’t read music, and many of them couldn’t improvise even as basically as Blues artists did. Their music was mostly a 1-6m-4-5 progression or simply a 1-4-5, 12-bar Blues progression.
In the latter 50’s, a few acts progressed the genre beyond its beginnings, such as Buddy Holly & the songwriting team of Leiber & Stoller, and the plethora of Brill Building composers helped the advancement into the early 60’s & beyond.
You also have to look to the Folk movement, as they would eventually provide progress to Pop & Rock as time moved onward. Artists such as Bob Dylan, The Kingsmen & such inspired artists like The Byrds and The Mamas & The Papas to meld Folk with Pop just as the Beatles were reinventing & creating various forms of Rock music.
The Beatles were the game-changers of all-time. They brought unique chord structures & harmonies, and they helped advanced Pop, Rock, Folk, and even created prototype sub-genres such as Psychedelia, Hard Rock, New Grass (I’ve Just Seen A Face is a staple with that crowd) and were the forerunners of concept albums. A large percentage of bands from the 60’s to now were either directly or indirectly influenced by the Beatles.
With the Beatles help, the progression Rock & Pop musicianship leaped tremendously. By the early 70’s, some of the Rock acts has even fused Classical music into Rock, and many of them could read music. There were also elements of Jazz & R&B working their way into Pop music, and being a musician in the late 70’s required you to have a good working knowledge of many styles & know how to sing at least harmony vocals if you couldn’t sing lead well.
The 70’s brought about advancements in audio, as massive P.A. systems allowed Rock groups like Led Zeppelin & Deep Purple to play to large audiences with superior power & quality unlike ever before, and home stereos experienced a renaissance period where owning an “extreme” stereo system was critical — it was not unusual for audiophiles to invest the equivalent of $5,000 to $10,000 in today’s dollars in top-notch hi-fi gear.
The problem with this is that some people realized that since many people liked listening to the original recordings, and since audio technology had advanced so well, a club could install a house system & have its own DJ spinning records. It was cheaper, easier & more reliable than booking live entertainment & people bought into it
It was Disco. Though the original heyday of Disco was intense while it lasted & didn’t last long, it inspired artists through to today. It even made the DJ an artist of sorts by creating artistry using other people’s musical creations. Many clubs nowadays won’t even consider booking live entertainment, and some that do use it as an opening act to a DJ. There are many club patrons who would prefer listening to a DJ than seeing a live act, which in an of itself is also a response to the poor quality of live music acts nowadays.
The 80’s began well enough. Although Punk had tried to break through in the late 70’s, it gave way to New Wave & Brit Pop, but there were Rock bands using more keyboards and creating a new Pop-Rock sound, mainly from bands that used to be 70’s Prog & Hard Rock bands who were trying to remain commercially viable without sacrificing too much of their artistic integrity. Bands like YES, Uriah Heep, Deep Purple, Rainbow, Ozzy, Journey, Rush & Saga come in & had us thinking that Rock was about to go to a new level where we could have artistic expression and commercialization to appeal to the masses at the same time.
But an act from L.A. called Van Halen changed all that. It was Led Zep meets Glam. Eddie Van Halen wasn’t doing anything new — he was simply doing a LOT of it. Plenty of guitarists had used the tricks he used such as tapping, but never made a song of the tricks or employed them as much or as well as he did. VH’s popularity, while deserved, also brought about the first downturn in quality of Popular music in mid-80’s as the L.A. power trio bands took over, and power ballads and over-the-top sexism ruled the universe for the rest of the decade from about 1985 onward.
Grunge took us further down the drain. Many musicians who didn’t have a lion’s mane for a hairdo and didn’t excite the girls and couldn’t play their instruments well were diametrically opposed to everything the Hair Metal bands stood for and did. The voiced their displeasure by creating music that sounded like equal parts gloom & despair (where are the Hee Haw guys who sang about that?) and they did it knowing few chords, having little or no talent to play a guitar solo, and little harmony. They were even opposed to song titles that were beyond 1 word & in many cases had nothing to do with the lyrics. It was a melding of Black Sabbath & the Sex Pistols to some degree. It appealed to baser instincts, which is why it appealed to the masses. Young people will buy any message about revolt, anarchy, and simply being pissed about everything because Gen-X youth were raised by the most narcissistic generation in decades (if not ever) and weren’t happy about anything unless it was about them & their feelings. Although Grunge died fairly quickly, its child Post Grunge still exists to this day and has morphed into a number of sub-generes like Emo.
Rap tapped into the same primal forces that Grunge did by appealing to the masses, and even more so that Grunge, it allowed virtually anyone with little or no musical talent to succeed, as anybody could be a rapper with a weekend of practice. Many Rap artists simply copied existing records and rapped over them, many times without permission to do so, as it never occurred to them that music rights were owned by someone. Because Rap is so accessible by the masses, it will probably never die until the masses get smarter & demand more for their time & money, and that may never happen as the audiences get dumb & dumber & dumberer with each passing year.
Electronic music, whether created by producers who disdain any instrumentation other than synthesizers & computers, shove whatever singer they can in front a mic after they create their pastiche of cold electronic sounds that sound nothing like the real instruments their trying to mimic, and they use basic tribal rhythms to lull people into a trance and rehash the same Pop cliches over & over again. This is actually the closest thing to Pop music now, and it’s sad.
Besides popular tastes spiraling downhill, another big factor in the crumbling of the music business is that people are stealing music or getting it very cheap. In 1979, an album’s typically cost was $8.999 to $9.99. In 2018 dollars, that about $50. Imagine people paying $50 for an album and not being able to buy single songs or download them free or for cheap, or have a service that plays close to what you want to hear on-demand for a small monthly fee, if any. People balk at paying $1 a song nowadays and won’t buy an entire album. They have so many options to keep them busy, what with 700 TV channels & a million things to do online. Listening to music is not as important as it was in the previous century.
Popular music tends to move with the society that feeds off it. Our society now is filled with 3 generations of people who are narcissists and used to getting their way & putting their two cents in even when they don’t know what they’re talking about. I suspect Popular music will continue to drift downward until it gets to the point where nobody is making it & nobody is listening because the talent will have vanished along with the money that chased it.
Our world society started out banging on rocks with sticks, then we progressed to basic percussion using hollowed out stumps covered by animal skins, then wind instruments carved from wood & animal bones, then basic stringed instruments & other wind & brass instruments came about and progressed to complicated instruments like the violin & trumpet, then the piano by the 1700’s, and people became very proficient in playing & writing music in the classical era, much of which exists today as the highest form of music. We then started a slow progression downhill from there, although the talent hung in there in certain forms. Jazz, though not as technical as classical, still required years of talent to master. Pop music in the 30’s & 40’s required reading music & having knowledge of music theory. When Rock first hit, it was very basic & was essentially a ripoff upshoot of the Blues, Folk & tangential forms of those rolled into one. The Beatles increased the talent level in Rock, and by the 70’s, many acts were fusing Rock with Classical music & Jazz, and at the same time, Rock guitar was split into 3 camps — Punk, which was basic 50’s Rock played by those with little to no talent; Metal, which was basic 50’s Rock on steroids & required more talent, and Progressive Rock, which required even more talent. When digital technology hit in the 80’s via keyboards, it opened the doors for more people to write & perform music with less talent. It went from needing a lot of talent to play & sing to needing little talent to do either. It got worse with Grunge, and then Pop went to Rap & Hip Hop, 2 styles which not only required little talent to do anything other than program digital music, to simply talking fast in rhymes, i.e., no singing talent at all. A lot of Pop music by the year 2000 didn’t require musical or singing talent.
Eventually, Pop music will go back to the stone age where people simply portray an image that fluctuates between sexy & tough, and they simply talk fast while beating electronic stones with electronic sticks. I believe that may evolve into farting or simply grunting & screaming. Thrash Metal already values guttural screaming instead of singing or anything else vocally.
The reason for the decline in music talent is that now we have 4 generations of people who want to do things the easy way rather than the correct way and are addicted to self-aggrandizement, have a false sense of entitlement, and require immediate satisfaction. Boomers were bad, but not nearly as bad they taught their succeeding generations to be.
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